Warrior. That’s what the Cowardly Lion is in comparison with me last week. I’d been hiding from my manuscript since that Monday. More than one hundred pages into a four hundred page rewrite, and I choked – scared off by this one scene. I had outlined it, decomposed it, and placed its elements in my […]
November 16, 2010. The day I began the revision outline for the novel that is becoming Sparks. By the very next week I knew that while an outline is a must, it doesn’t give me the level of detail that I need. So I added a storyboard to my revision artifacts, and was still confident […]
Now that I’ve eliminated my intrusive voice, coaxed the plots and subplots to play nicely together, gotten control of pacing, and overcome my hesitance with love scenes, it’s time to complete the set of revision artifacts (outline and scene notes) for moving the plots toward their climaxes. I was very excited about getting to this […]
During revision, silkscreening is one thing; constructing a scene is quite another. The complexity of my current WIP makes the process more an intricate choreography than a construction. We know that the basis of scene choreography is the Holy Quarternary of writing – goal, obstacle, action and resolution. In my particular case, many scenes in the story also […]
I’m very excited. I’ve figured out how to make the sometimes revered, sometimes scorned, always discussed writer’s tool work for me. You know the one – the outline. I’d only begun using it because my editor advised that it was the next step for revising the story he’d critiqued. Now I’m outlining because it is […]
